Posted On September 24, 2014By Will GoldsteinIn Movies
Just prior to the third act in Lenny Abrahamson’s aggressively idiosyncratic ‘Frank’, the film’s mentally handicapped title character (Frank) announces to his band mates and devoted members of SORONPRFBS, an avant-grade rock ensemble begrudgingly prepped to take the stage at SXSW, that he has composed his “most likable song ever.” He’s done this, we learn, out of fear that the band’s experimental arrangements will alienate a virgin audience. Altogether hesitant, the mates listen as Frank, bent over a keyboard in a congested, Austin TX hotel room, plays a little ditty
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